From the Shelf
In Gratitude for the Lives of Three Giants
"Your books must be printed on scar tissue," a librarian once told editor Dick Jackson, as he proudly recalled during his keynote at the Cooperative Children's Book Center in Madison, Wis., in 1995.
To think of Dick Jackson, who died last month, is to think of his bravery--publishing Judy Blume's Are You There, God? It's Me, Margaret (1970), for instance. It taught so many of us blossoming women what was happening with our bodies, yes, but more importantly it validated the questioning that comes with young adulthood. Chris Raschka's Yo! Yes? Brian Floca's Moonshot. Cynthia Rylant's Missing May. As editor, Jackson took journeys with creators that pushed new frontiers, and then became an author himself with In Plain Sight (Roaring Brook, $17.99), a picture book illustrated by Jerry Pinkney.
Lee Bennett Hopkins, who passed away in August, ushered dozens of new poets into the field of children's books, introducing them to editors, and their work to children, librarians and booksellers. His own journey began in 1969 with a wish to introduce Langston Hughes (Knopf) to children; he often included a poet's early work in his many anthologies, and championed poetry in schools, libraries and bookstores. How fitting that he leaves I Remember (Lee & Low, $19.95) as his parting gift. Not all writers make good teachers. Lee Bennett Hopkins was both.
So was Toni Morrison, whom we also lost this year. I heard her speak at Princeton; Morrison was not yet on the faculty, and I was visiting a friend, who was writing her senior thesis on Song of Solomon. Morrison read from her not-yet-published Beloved, the scene in which Paul D stands behind Sethe, stirring a pot on the stove, tracing the tree-shaped scar on her back. She held us spellbound.
In gratitude for these three giants in the field of writers and teachers. --Jennifer M. Brown, senior editor
In this Issue...
by Elif Shafak
Turkey's leading female author tells a powerful story of friendship among social outcasts residing in Istanbul's gritty underbelly.
by Dovey Johnson Roundtree , Katie McCabe
This memoir by pathbreaking black attorney Dovey Johnson Roundtree deserves a spot alongside works by and about Pauli Murray and Barbara Jordan.
by Tochi Onyebuchi
Tochi Onyebuchi's YA War Girls takes a war from Nigeria's past and places it in its future.
Review by Subjects:
01/23/2020 - 7:00PMTruly Devious #3, Young Adult Book Talk & Signing Maureen Johnson is the bestselling author of several novels, including 13 Little Blue Envelopes and the Truly Devious series. Johnson will discuss and sign The Hand on the Wall (Truly Devious #3) ($18.99 Katherine Tegen Books), the witty and pulse-pounding conclusion to the Truly Devious series as Stevie Bell solves the mystery that has haunted Ellingham Academy for over 75 years. Ellingham...
01/24/2020 - 7:00PMIsomeric Design in Ancestral Pueblo Pottery, an Art Book Talk & Signing Scott Ortman, author and contributor, will discuss and sign Painted Reflections : Isomeric Design in Ancestral Pueblo Pottery ($37.50 Museum of New Mexico Press). This book examines design in Ancestral Pueblo pottery from various museum collections in the Southwest. The concept of isomeric design is based on an analogy with isomers in chemistry, which refers to compounds that are chemically...
Advice for the Impatient Writer
Lit Hub shared "Kurt Vonnegut's advice for the impatient writer."
Author Nicola Upson chose her top 10 golden age detective novels for the Guardian.
Charlotte Brontë's final "Little Book" is returning to Haworth after the Brontë Society purchased it at auction for $665,000, Mental Floss wrote.
Stationery update: Atlas Obscura explained "how elephant poop becomes fancy paper in Sri Lanka."
Bookshelf featured Ashley Fuchs's Llama Bookshelf, a "plywood CNC milled Llama with three cut outs for books or plants and one shelf."
Rediscover: Richard Nelson
Anthropologist, naturalist and author Richard Nelson died November 4 at age 77. He was born in Wisconsin, received his doctorate from UC Santa Barbara and spent years living with interior Alaska Native communities. He wrote a series of ethnographic works on the Iñupiat, Gwich'in and Koyukon Athabascan people, including Make Prayers to the Raven (1986), Shadow of the Hunter (1980) and Hunters of the Northern Forest (1969), all published by the University of Chicago Press. Nelson's writing style turned more literary with The Island Within (1989), about his exploration of an unnamed island in the Pacific Northwest and the benefits of Koyukon wisdom, and Heart and Blood: Living with Deer in America (1998), both published by Vintage.
Nelson was the Alaska State Writer Laureate from 1999-2001. He also hosted the public radio show Encounters, which took listeners across Alaska via Nelson's recordings of polar bears growling, peregrine falcons crying and killer whales splashing, among many other samples. Lisa Busch, executive director of the Sitka Sound Science Center, said: "Sometimes I step outside my door, and just like everybody else in Sitka, you might hear a kingfisher or a squirrel or a thrush and maybe you don't think anything of it. But, for me, I often stop and think, 'What would Nels say about this?' How excited would he be and enthusiastic would he be about this sound and what it means to us? And what it means to our heart and spirit?"
The Writer's Life
Reading with... Jasmin Kaur
|photo: Jasjit Mankoo|
Jasmin Kaur is a writer, illustrator and spoken-word artist living in Vancouver, B.C. Her writing, which explores feminism, social empowerment, love and survival, acts as a means of healing and reclaiming identity. An arts facilitator and fourth-grade teacher, Kaur has been leading creative writing workshops for young people in North America, the U.K. and Australia the last five years. Her debut novel for young adults, When You Ask Me Where I'm Going, is now available from HarperCollins Children's Books.
On your nightstand now:
Right now, I'm digging into The Stationery Shop by Marjan Kamali, and I cannot stress how much I love this book. The imagery is gorgeous, the writing is immersive and the plot is masterfully crafted. This book--which has instantly become an all-time favorite--rivetingly explores young love and the experiences of an Iranian teenage girl across time and space.
Up next are Other Words for Home by Jasmine Warga, The Ministry of Utmost Happiness by Arundhati Roy, Wilder Girls by Rory Power and The Sun Is Also a Star by Nicola Yoon.
Favorite book when you were a child:
There's no question that it was the Harry Potter series. I'm not sure how many times I read and re-read each book, but I distinctly remember my excitement when Harry Potter and the Deathly Hallows was released: at midnight on the book's release date, I went to my local bookstore and joined a long lineup of readers eager to get their hands on the book as soon as it was available. I then devoured the book in less than two days. I hope to encounter another series in my lifetime that gets me so excited!
Your top five authors:
Marjan Kamali, Neil Gaiman, Arundhati Roy, Safia Elhillo and Andrea Gibson.
Book you've faked reading:
Wow, it feels strange to admit this! After being assigned Jane Austen titles throughout high school and never finishing a single one, I suppose it would be a worthwhile reminder to my fellow teachers that kids don't always engage with books that don't speak to their lived experiences. In other words, consider the criticality and power in assigning more books by contemporary authors of color.
Book you're an evangelist for:
Right now, it's easily Marjan Kamali's The Stationery Shop. I've already convinced my aunt and sister to get their hands on it, and I'm impatiently waiting for all of my friends to do the same. I'd love it if everyone in my life read it so that we can collectively gush over the gorgeous writing.
Book you've bought for the cover:
Most recently, it was Five Feet Apart by Rachael Lippincott, Mikki Daughtry and Tobias Iaconis. The cover art stole my heart, and I knew I needed it, no questions asked.
Book you hid from your parents:
I can't remember hiding many books from my parents, but I think that in the eighth grade, I was discreet about reading Sister Souljah's The Coldest Winter Ever because of the sexual content. It was one of my favorites, and even if my parents were to have disapproved of the sex, I would have found a way to finish it.
Book that changed your life:
I probably sound like a broken record, but it would have to be the Harry Potter series. The books did for me what all good books should do--they became a refuge, a safe place, a world where I could lose track of my surroundings and find a sense of home.
Favorite line from a book:
Dumbledore: You ask me, of all people, how to protect a boy in terrible danger? We cannot protect the young from harm. Pain must and will come.
Harry: So I'm supposed to stand and watch?
Dumbledore: No. You're supposed to teach him how to meet life.
--Jack Thorne, J.K. Rowling and John Tiffany, Harry Potter and the Cursed Child
Five books you'll never part with:
Persepolis by Marjane Satrapi, The Handmaid's Tale by Margaret Atwood (critical reading in the world we live in!), Take Me with You by Andrea Gibson, The January Children by Safia Elhillo and If They Come for Us by Fatimah Asghar.
Book you most want to read again for the first time:
I think I'm ready to re-read Khaled Hosseini's The Kite Runner. The last time I had my hands on this painfully beautiful book was the 10th grade, and I can remember how much it affected me back then. After that, I'd love to immerse myself in Hosseini's other works.
10 Minutes 38 Seconds in This Strange World
by Elif Shafak
10 Minutes 38 Seconds in This Strange World, a 2019 Booker Prize finalist by British-Turkish author Elif Shafak, celebrates the memories and friendships that sustain people in difficult times. The story is told through the lens of a sex worker known as Tequila Leila, who works on Istanbul's Street of Brothels--a life that exposes her to violence, danger and, remarkably, true love.
Leila is dead when readers meet her, the victim of a gruesome murder, but her brain has yet to shut down. In the 10 minutes and 38 seconds before it does, Leila recalls vivid smells and tastes that bring to the surface long-forgotten details of her traumatic childhood, joyous marriage and poignant relationships with others living on the margins of society.
The novel focuses not on Leila's death but the richness of the life she led. There's so much more to the enigmatic protagonist than her sordid job. It is Leila's multi-textured existence and legacies that Shafak unveils, alongside the mystery of the woman's murder, as the minutes wind down. The story eventually shifts into a high-stakes adventure as Leila's friends risk everything to pay a final tribute to the woman who binds them together. Friendship, it turns out, is Leila's truest legacy of all.
Shafak (Three Daughters of Eve, Honor) portrays Istanbul in all its glorious chaos against the backdrop of civil unrest that culminated in the Taksim Square Massacre of 1977. Despite being harassed by Turkish authorities for her depiction of sexual violence, the author uses the megaphone of her 12th novel to further expose female exploitation and sexual abuse. In this way she succeeds in giving a voice to the voiceless. --Shahina Piyarali, writer and reviewer
Discover: Turkey's leading female author tells a powerful story of friendship among social outcasts residing in Istanbul's gritty underbelly.
Mystery & Thriller
The Family Upstairs
by Lisa Jewell
Libby has been a budget watcher her whole life. She shops at T.J. Maxx and celebrates a small raise at work by buying one eye shadow from a department store instead of her usual drugstore. Then she turns 25 and receives a letter saying she's just inherited from her birth parents a mansion on the finest street in the Chelsea area of London.
Meanwhile, Lucy receives a text saying, "The baby is 25," and urgently seeks a way to travel with her two kids and dog from France to England. The problem: she's currently homeless, has no passports or money and is hiding from the law.
Libby's and Lucy's present-day chapters alternate with accounts that take place in the past, told from the point of view of a boy named Henry. He lived with his family in the above-mentioned Chelsea mansion until his mother took in temporary boarders--and they never left. Not only that, the interlopers invited friends over and soon the strangers had taken command, imprisoning Henry's family in their own home--until one night when police arrived to find multiple dead bodies and a crying baby.
The way Lisa Jewell brings these plotlines together in The Family Upstairs continues to solidify her reputation as a master weaver of stories. She takes a hard-to-believe situation--wickedness seeping into and taking over a seemingly normal household--and makes it plausible. The story twists in unpredictable, disturbing ways, and shows how hard it is to repel evil when it has invaded one's home. --Elyse Dinh-McCrillis, blogger at Pop Culture Nerd
Discover: On her 25th birthday, a young woman inherits a mansion, along with its dark, violent history.
The Old Success
by Martha Grimes
It's only fair: in Vertigo 42, New Scotland Yard superintendent Richard Jury sought help from his old schoolmate, Devon-Cornwall police commander Brian Macalvie. In The Old Success, Macalvie has Jury return the favor when a woman dead from a gunshot is found on the beach at Bryher's Hell Bay, on the Isles of Scilly. The victim, a Frenchwoman, was staying at the Hell Bay Hotel for reasons unclear.
Soon Jury has another bullet-felled corpse to deal with: at a country estate in Northampton, Flora Flood was training a gun on her husband, from whom she had been separated for two years, when he was fatally shot--but not by her, she claims. Following a third murder by bullet--this time at Exeter Cathedral--Jury initially resists the idea that there's a single killer responsible: How could this be possible when the three murders are geographically scattered? But, then, this is a Martha Grimes mystery.
The Old Success, Grimes's 25th Jury novel, has the hallmarks of her beloved series: a twisty plot, rat-a-tat banter and a scramble of oddball characters, many from previous Jury titles. (While appreciating The Old Success doesn't require a familiarity with the earlier Jury books, knowing something about these eccentrics will serve readers well during the carnivalesque pub scenes.) Grimes is also generous with side plots; one supplies comic relief via Jury's frequent right hand, amateur sleuth Melrose Plant, whose social-climbing American aunt may drive him to commit a crime of his own. --Nell Beram, author and freelance writer
Discover: In the 25th Richard Jury mystery, Scotland Yard's superintendent is faced with three geographically dispersed murders that at first seem unrelated.
Biography & Memoir
Mighty Justice: My Life in Civil Rights
by Dovey Johnson Roundtree , Katie McCabe
After her father dies in the flu epidemic of 1919, five-year-old Dovey Johnson Roundtree moves with her sisters and mother into the Charlotte, N.C., home of her maternal grandparents. The adults, while poor, see to it that the girls get college educations--"the 'way out' for black people," Roundtree writes. In 1941, she heads to Washington, D.C., making use of her well-connected grandmother's acquaintance with Mary McLeod Bethune, adviser to President Roosevelt. Bethune is in charge of enforcing Roosevelt's ban on racial discrimination in hiring, including in the military. Feeling obliged to support the cause, Roundtree is among several dozen black women who enlist in the newly formed Women's Army Auxiliary Corps. After the war ends, she still wants a career in medicine, but goes to Southern California to make "conversion speeches" on behalf of Roosevelt's Fair Employment Practices Committee. In California, she meets the trailblazing black feminist lawyer Pauli Murray, who tells Roundtree that "the answer for black people... lay in the law."
Roundtree enrolls at Howard University School of Law in 1947, and upon graduating, opens a practice with a black male colleague in the capital, where "a black lawyer had to leave the courthouse to use the bathroom or eat a meal." Her memoir, Mighty Justice, devotes individual chapters to Roundtree's most significant cases, like the desegregation powder keg Sarah Keys v. Carolina Coach Company.
In this apparent golden age of memoir, some stories shine brighter than others. Mighty Justice: My Life in Civil Rights is one lucent example of the brighter variety. --Nell Beram, author and freelance writer
Discover: This memoir by pathbreaking black attorney Dovey Johnson Roundtree deserves a spot alongside works by and about Pauli Murray and Barbara Jordan.
From Chernobyl with Love: Reporting from the Ruins of the Soviet Union
by Katya Cengel
Journalist Katya Cengel (Exiled, Bluegrass Baseball) details her experiences living and working in post-Soviet Eastern Europe following the fall of the Berlin Wall and amid the lingering consequences from the Chernobyl nuclear disaster.
In 1998, Eastern Europe was undergoing rebirth and so, too, was enthusiastic and adventurous Katya Cengel. The 22-year-old California native and recent college graduate took a job in Riga, Latvia. As an aspiring journalist, she hoped her work at the Baltic Times would launch her career. Instead, Cengel faced culture shock--and loneliness. It wasn't easy to acclimate to environs where basics like running water, electricity and heat were often sparse. Cengel shares stories of early writing assignments and efforts to prove her worth, along with the challenges she faced as an American in dating and forming friendships. Corruption was widespread during this time of economic, social and political upheaval, and Cengel learned the hidden horrors of the "Soviet ideal of equality" when it came to ideas about women in the workforce and home. Cengel eventually went to work at the Kyiv Post in Ukraine, where her desire to visit--and write about--the Chernobyl nuclear power plant disaster changed her life in harrowing, toxic ways.
Courage, resilience and hard work ultimately bolstered Cengel's unrelenting desire to succeed. The forthright nature of her layered, illuminating perspective details her daring adventures and devastating heartbreaks at a formative time. From Chernobyl with Love allows readers a fascinating glimpse into Cengel's life and work as history unraveled. --Kathleen Gerard, blogger at Reading Between the Lines
Discover: An American journalist shares the riveting story of her early writing career in post-Soviet Eastern Europe in the wake of the Cold War.
Cosy: The British Art of Comfort
by Laura Weir
In Cosy: The British Art of Comfort, Laura Weir takes readers on a charming journey to explore the concept of coziness and how to cultivate it as a counterbalance to the hard edges of modern life. While the term cosy, as Weir experiences it, is essentially an English construct, it is also one that can be universally enjoyed and easily translates across cultures.
Seeking coziness is akin to seeking reassurance and security in a disorganized, overwhelming world. Some of the most basic pleasures, like a good nap, can be the most soothing, so there's nothing elitist or extravagant about leading a cosy life. It's accessible to anyone who wants to indulge and often it's found when people are focused on pleasing themselves instead of trying to impress others.
Written in a fun, conversational tone with lovely illustrations, Cosy is an appreciation of simple, predictable pleasures like a warm home, a favorite couch, a soft blanket and someone to snuggle with. It means nurturing in oneself a laid-back approach and a contemplative demeanor. After all, it's hard to imagine being cosy while feeling stressed or rushed.
Weir has a dynamic media presence in London; she is a journalist and editor familiar with the noise and bustle of city life. A favorite childhood memory inspired her to seek coziness and prioritize it in her adult life. Weir's references to British shops, television programs and countryside destinations provide an intriguing glimpse into the world of a Londoner seeking cosy contentment and inspires readers to seek similar comforts within their own environments. --Shahina Piyarali, writer and reviewer
Discover: A veteran British journalist encourages readers to focus on life's humble pleasures and seek contentment close to home.
Reference & Writing
The View from Somewhere
by Lewis Raven Wallace
Accusations of bias and "fake news" plague journalists today, while the 24-hour news cycle creates constant pressure, and news outlets of all political persuasions claim to be objective. In his first book, The View from Somewhere, transgender journalist Lewis Raven Wallace delves into the concept of objectivity and asks what role journalism should play. He begins with #BlackLivesMatter and #MeToo, both movements shaped by citizen journalism and grassroots organizations operating outside the mainstream media. He examines the tangled connections between facts, truth, point of view and "neutrality" in reporting, using events like the Vietnam War and the AIDS crisis as case studies. He interviews journalists who covered both and ran into trouble for reporting inconvenient facts, or letting their human perspectives show through in their pieces.
Arguing passionately for fact-based, thoughtful, intelligent journalism, Wallace also posits that no journalist can--or should--completely set aside their own perspective. "I don't believe that there is only one truth, but I still believe that truth is worth pursuing," he writes. Later, he urges his fellow journalists to pursue activism if they so choose, subverting the long-time practice of having to choose one or the other. He holds up curiosity as an antidote to misinformation and calls on his colleagues to write from "a place of hope and principle." For reporters and consumers of the news alike, Wallace's book is a fascinating account of how we arrived at this moment, and an urgent, thoughtful case for independent, humane journalism. --Katie Noah Gibson, blogger at Cakes, Tea and Dreams
Discover: An independent transgender journalist makes a cogent, compelling case for fact-based, humane, subjective--but not ideological--reporting.
Pity the Reader: On Writing with Style
by Kurt Vonnegut , Suzanne McConnell
Pity the Reader: On Writing with Style is less is a book about the writing craft than it is an homage to Kurt Vonnegut--as writer, teacher and human being.
The publisher describes the book as written by Vonnegut and Suzanne McConnell, who studied with Vonnegut at the Iowa Writer's Workshop and taught writing for many years at Hunter College. And in fact, Vonnegut did write a large portion of the book, though not directly for Pity the Reader. McConnell shares nuts-and-bolts writing advice and larger thoughts on the creative process, pulled from Vonnegut's novels as well as from his lectures and essays on writing. She sets that advice within the context of anecdotes from his life, many of them drawn from her own long friendship with him. For example, McConnell shares Vonnegut's advice on the tricky question of an author's voice: "Sound like yourself." She then reinforces it, first with Vonnegut's self-deprecating description of his own native voice and then with an anecdote about a time when he tried to abandon that voice in favor of something more urbane. (He was told, "Go for Will Rogers, not for Cary Grant.") It's a powerful lesson on a subject many writers struggle with, but also tells us a great deal about Vonnegut himself.
In the end, Pity the Reader is an extended meditation on Vonnegut's dictum "The primary benefit of practicing any art form... is that it enables one's soul to grow," using his own life as the case study. --Pamela Toler, blogging at History in the Margins
Discover: Pity the Reader is a guidebook to writing, life and a life spent writing, in the form of Suzanne McConnell's homage to Kurt Vonnegut.
The White Man's Guide to White Male Writers of the Western Canon
by Dana Schwartz , illust. by Jason Adam Katzenstein
Dana Schwartz (Choose Your Own Disaster) here parlays her popular satirical Twitter account @GuyInYourMFA into a hilarious, full-blown take-down of the many "genius" darlings of Western literature.
The White Man's Guide to White Male Writers of the Western Canon is a satirical compendium designed to send up those annoying, brooding know-it-alls who haunt Brooklyn coffee shops. Schwartz succeeds in establishing the persona of said mansplainer in a thorough introduction that tells readers, among other things, how to dress like a white male writer so that your art will be taken seriously: "Spend as much money on your glasses as you can in order to make it look like you spent no money at all." The book then offers short biographical sketches of famous white male writers, from Shakespeare to Jonathan Franzen, all whose genius is explained in great sarcastic detail. The New Yorker cartoonist Jason Adam Katzenstein illustrates with funny portraits and captions, and the two collaborators also offer extras like drink recipes for favorite writers and random factoids with which to impress people at parties.
Some jabs are thinner than others, while some of the jokes undoubtedly land. "Ernest Hemingway was a man's man," Schwartz declares in false earnestness. "He was born with a full beard and a cable-knit sweater." Despite its silliness, the book is actually informative. It provides a sly feminist critique of famous writers, focusing on how men treated women in real life. For example, the entry on David Foster Wallace details the revered author's alleged abusive and frightening behavior toward writer Mary Karr. "But that's just the kind of thing genius does," Schwartz exclaims in faux dismissiveness.
Above all, The White Man's Guide to White Male Writers of the Western Canon is a pleasure to read. Schwartz offers fun and irreverent iconoclasm with some serious undertones. --Scott Neuffer, writer, poet, editor of trampset
Discover: Twitter personality Dana Schwartz targets famous white male writers in this biting work of satire.
by Tommy Pico
What characterizes Tommy Pico's fourth installment of his Teebs tetralogy is his sheer love of language. In Feed, Pico (Junk) lets go of all poetic conventions and expectations and allows his words to dip and soar on strange and beautiful trajectories.
Feed picks up where Junk left off. The poet--a queer member of the Kumeyaay nation--finds himself in an unpredictable New York City spring. He's on book tour, he's dating, eating, reading, writing, traveling. The spring becomes a metaphor for the wild vicissitudes of his life. "Springtime is so insecure, right?" he asks. The temperature fluctuations, the promise of summer, the vestiges of winter and the changing landscape all come to represent "the possibilities of jagged spring," mirroring the possibilities in his own life.
Whereas Junk is more linear in portraiture, Feed is discursive, ruminative and tangential. Pico employs a postmodern mash-up technique, mixing his thoughts with terrifying news headlines, missives to the reader, etymological explorations and, staying true to the spirit of Teebs, a list and discussion of pop songs. Teebs is Pico's poetic persona, an alter-ego, outrageous, funny and fearless in his own way. It's here that Pico ponders the performative nature of the persona, locating something within that is still shy and unsure about success. He dissects the difference between aloneness and loneliness, how he moves through the world as an alienated being, his psyche layered in cunning ways to survive.
How Pico pulls off this dazzling fusion of culture is his magic. Feed is engrossing, oddly enlightening and, above all, fun to read. --Scott Neuffer, writer, poet, editor of trampset
Discover: In his fourth installment in the Teebs tetralogy, poet Tommy Pico grows into his own as a creator of culture.
Children's & Young Adult
by Tochi Onyebuchi
Tochi Onyebuchi's (Beasts Made of Night) fierce third work for young adults fictionalizes the Biafran-Nigerian War of the late 1960s and places it in the 2170s, in an effort to teach contemporary readers about the Nigerian military conflict and liberation movement. "Even now, as calls for secession grow anew," Onyebuchi's author's note states, "an entire generation has been raised in ignorance of the conflict. It is my hope that War Girls... can act as some sort of salve to the national wound."
Onyii began fighting in the War for Independence when she was eight, the "machine rifle in her hands" and the "machete strapped across her back" both dwarfing her tiny body as she moved "under cover of night... leaving behind a trail of bodies." At 15, she has given up war and is now one of the oldest girls in a Biafran refugee camp where she cares for her brilliant younger sister, a war orphan named Ify. When the Nigerians find the War Girl camp, the powerfully bonded sisters are split up and forced onto opposite sides of the bloody conflict.
The aspects of Onyebuchi's world--synths, androids, "massive humanoid robots," domed cities, bodyskins--create a sense of place and time while his staccato, biting style breathes life into the brutal war. Heavy and emotionally intense, there is little happiness to be found in War Girls, but Onyebuchi's skill in telling this story is joyful to behold. And, while the book painfully relates atrocities, it is optimistic, both in ending and intent. "It is my hope," Onyebuchi's note goes on to say, "that War Girls... will exhibit that emblematic Nigerian quality of taking pain and despair and dysfunction and transmuting it into something heartier, more fulfilling, more nourishing." --Siân Gaetano, children's and YA editor, Shelf Awareness
Discover: Tochi Onyebuchi's YA War Girls takes a war from Nigeria's past and places it in its future.
Revenge of the Red Club
by Kim Harrington
It's bad enough when Hawking Middle School's administration suddenly starts dress-coding the girls--no leggings, no spaghetti straps, etc. But do they also have to go after the Red Club? As eighth grader Riley Dunne describes the weekly after-school club: "It's a period support group, but really, it's more than that. It's kind of like a sisterhood." Riley and her club friends smell sexism; as one points out, "Between shutting down the Red Club and enforcing this ridiculous dress code, it seems like they're targeting girls."
Principal Pickford says the club is being disbanded because it doesn't have an adviser, but he also admits that there's been a complaint against the group. Riley, the school newspaper's investigative reporter, decides to use her journalistic chops to unmask the "secret complainer." Meanwhile, the club won't go down without a fight; this will involve, among other things, revenge by maxi pad.
In journalistic terms, Revenge of the Red Club is a hard-hitting story with a human-interest angle. Thanks to Riley's breezy narration, the book's chatter about menstruation is unlikely to put off even readers who, like Riley's mom, are uncomfortable discussing "women's trouble." Kim Harrington, who has a clutch of YA and kids' titles to her name, conjures 1960s political activism through the Red Club's consciousness-raising-style meetings and civil disobedience, but her book also recalls 1980s teen movies in which students take a stand. Like the kids in The Breakfast Club, Revenge of the Red Club's rebels will have its audience's full support. --Nell Beram, freelance writer and YA author
Discover: In this middle grade novel, an appealingly easygoing narrator takes readers through her righteous crusade to save her school's period club.
The Magic Hour
by Ian Beck
As British artist and author Ian Beck explains in his afterword, he first visited London's Tate Gallery "as a callow art student." He discovered then his favorite painting in the collection: Carnation, Lily, Lily, Rose by John Singer Sargent. In a verdant Cotswolds garden, two young girls are seen lighting paper lanterns amid a profusion of shimmering greens and blooming flowers, the light "just right"--what Sargent called "the magic hour." More than 50 years later, Beck was "asked to thread a story and pictures around the twilight mood of this wonderful painting" aptly titled The Magic Hour. His gentle text runs alongside the rambunctious girls, growing in size and shape as they explore their summer home.
Sisters Lily, age 11, and Rose, age nine, spent "that hot summer long ago" in an old house near a river, surrounded by lush gardens. The girls "went everywhere together," never standing still. And always, "First Lily, then Rose," ran along meandering paths and enjoyed the swing under the shade of the old oak tree. With the growing heat, Mother bobbed the girls' long tresses, promising, "You'll feel much cooler now." One early evening, Rose noticed a golden flickering light emanating from the garden next door--and wondered if it might be a fairy. Telling Lily naturally induced further investigation, and together the sisters ventured into the moonlight for a night of magical discovery.
In a palette of soft blues and greens, Beck's beckoning watercolor illustrations re-create the garden's blooms, the girls' ruffled white dresses, their youthful gazes, the glowing lanterns of soft light. Beck's artistry expands Sargent's single canvas into a commemoration of sisterhood and an invitation to adventure--all while celebrating that Magic Hour of summer enchantment. --Terry Hong, Smithsonian BookDragon
Discover: Inspired by a John Singer Sargent painting of two girls lighting lanterns at dusk, Ian Beck creates an idyll on the page about sisters Lily and Rose's garden adventures during The Magic Hour.